Last weekend I had a wonderful time at a storytelling event at Buckden Towers. A group of us stayed all weekend sharing tales from the Shahnameh, a Persian text by 10th century poet Abolqasem Ferdowsi. The schedule organised by Marion Leeper was wall to wall storytelling, it was pretty intense but rewarding and enjoyable with long breaks to chat, make new friends and eat loads of food, biscuits, cake and pudding.
Here is the script of the tale I related.
Haftvad and The Worm
The tale I am about to tell reputedly happened during the reign of King Ardeshir almost 1800 years ago, and it was related to Fedowsi in the tenth century by a travelling snake-oil salesman.
High atop a precipitous mountain, somewhere in modern Iran there still stands a glorious citadel built in mud. It has become known to us as Arg-e-Bam – the castle that exploded.
It’s turrets gaze out over the surrounding country, a magnificent mountain castle keep of unparalleled splendour, it is still the world’s largest adobe building, more extensive and breath-taking than the ancient mud ziggurats of Ethiopia.
But who built this opulent fort? we ask ourselves, which munificent princeling created this enduring wonder? – the answer is nobody knows, his name has not come down to us through history, it has been buried in the shifting sands of time. Arg-e-bam was founded by a man with no name.
But I am getting ahead of myself, at the beginning of the story there is no mountaintop citadel, there is only the modest town of Karajan.
That distant town nestled in a rich fertile valley crescent, cupped between the shore of a clear glassy lake. And the abundant forest foothills of a craggy, scree-riven mountain. Karajan, A small dead-end of hard-working tranquillity.
This small moth-eaten town at the far end of a minor tributary path that meanders on into a circuitous ancient route that leads on to the laden caravans and the astonishing marvel of the ancient Silk Road. (gong)
In the town of Karajan – that scraped a paltry existence through the crafts of spinning and weaving – there once lived a man with seven sons who the Shahnameh tells us was called Haftvad. Now the strangest thing about Haftvad was that he had no name, Haftvad simply means “The Man with Seven Sons”.
So, Haftvad had no name and neither did his sons. But the strangest thing is that Haftvad also had a daughter, and he took no notice of her. He took notice of his singular beautiful daughter, the most important person in this story. Haftvad’s daughter, who also has no name. Haftvad’s only daughter, his one daughter, his first, his number one, his prima. And because I think she deserves better than to be nameless, I shall call her Alif, like the first letter of the alphabet.
The people of Karajan lived in a state bordering on poverty. And like his neighbours, Haftvad made a living in the town, a small living, more than just surviving, but not much more. It was a poor but cheerful town.
The people worked hard, carding and spinning and weaving the most exquisite fabrics. Even the children worked hard. The boys spent their nights high in the mountains with their herds, or days in the fields tending fibrous crops. And each day, from early in the morning the girls, the unmarried maids of the town, tramped out into the hillsides, with their heavy distaffs and their bales of wool, and they spent their day on the hillside, spinning, not returning until nightfall, laden with skeins of yarn. These were poor resourceful girls who were able to spin most anything into thread of some kind. They could spin cotton, linen, stinging nettles, hemp, , they would spin sheeps wool, goats wool, rabbits wool and when they could get it – they would spin the finest, beautifulest, most sought after yarn of all, from the wool of a worm.
girls spinning illustration from Ferdowsi’s Shahnameh
The thread the girls spun was taken down into the town at nightfall and stored to be weaved into long bolts of fine cloth by the rest of the townsfolk.
Like most of the girls and women of the town, Alif’s dark sleek corkscrew hair was twisted and coiled up with a beautiful woven headscarf, she looked very fine. Indeed, all the girls and women dressed well, they were poor, but lived in a town where off-cuts and remnants of luxurious cloth were bountiful. All the maidens of the town were impeccably dressed, and wanted only jewels and shoes to be mistaken for princesses. They lived the opulent lives of a rag man’s daughter.
This rhythm of life persisted through time, unchanging and consistent until one strange day when Alif found a worm.
That day started the same as any other fine autumn day. The girls gathered at sunrise and made their way through the fall trees, their leaves tipping orange. They found a clearing in a mulberry grove and spun with laughter and gossip and hard work. At lunchtime they sat in a circle and chatted over their food together.
Fedowsi tells us –
It was just at that moment Haftvad’s daughter found
A windfall apple lying on the ground
And picked it up – now listen carefully
Because this story’s quite extraordinary:
She bit the apple then, but as she tried it
She saw a little worm there coiled inside it:
Well now, we’re all familiar with the story of the maiden, the snake and the apple, and I can almost hear you calling out: “No! No! Don’t eat the apple! Don’t eat the apple!”.
But have no fear, this story is about Alif, not Eve, it’s not about a priviledged trustafarian snowflake cupped in the palm of gated-community paradise. This story is about Alif a practical down to earth girl, a lowly spinster living in a threadbare textile town, somewhere south of the Silk Road.
So Alif restrained herself, looking at the maggot in the mulberry apple,
She scooped it out and gently found a place
For this small worm inside her spindlecase.
And as she took up her cotton she said
“By God I swear, today I’ll spin such thread,
Helped by this apple’s lucky worm, that you
Will be amazed at what I can do!”
The girls began to laugh – in their delight,
There faces glowed, there teeth shone silver-white”
Which just goes to show that although they were poor they could still afford toothpaste.
Well, come sunset that day, the girls gathered up their spindles and counted the skeins of yarn they had spun. And true to her prediction, Alif had spun much more than she usually did. The other girls were agog at Alif’s productivity. “That truly is a magic worm!” they exclaimed “You should take good care of it” “it is a blessing” Alif agreed as she marked the amount on the ground then ran like wind-bourne smoke to show her mother how much she had completed. From that day on Alif fed the worm each morning and kept it safe in a box under her bed. Alif said to herself “I am going to spin so much thread, by the grace of this worm, that I’ll never be poor again”.
– And so, Alif fed the worm everyday
And the worm increased in size day by day
Alif’s spun more and more thread by the week
Her father grew richer and richer every month
Alif looked at the growing worm and admired it’s smooth sleek scaled black skin. And here’s the strange thing she noticed about the Worm – it had a tiny weeny wincey mouth and the hugest fat stomach you have ever seen. So it could eat only the smallest of morsels, but could never eat enough to fill it’s big empty belly. And Alif wondered for moment if the Worm was a metaphor for greed, but then she stopped herself because she was a down to earth parochial girl and the fancy Chinese concept of a hungry ghost was beyond her comfort zone.
Every morning Alif fed the worm a piece of the apple, and however much cotton there was, Alif magically spun it into thread.
The image of the girl miraculously spinning preternatural amounts of yarn often appears in European fairy tales. And generally the girl is tricked by some disguised evil magician so that her only escape from forever spinning is to solve a riddle by guessing a name, or hand over a newborn child or kiss an ugly reptile. Not so in this story because – the Worm, like almost everybody in this story, has no name to guess, Alif has no first born son to sacrifice, and although she’s poor, she’s not about to go snogging with a maggot, however beautiful it’s black and orange crackly skin. Alif has standards.
So, in the story of Haftvad and the worm there seems there is no quest, no riddle or tribute to pay. The magic worm gave Alif the ability to spin monumental amounts of thread and asked nothing in return beyond it’s basic needs of food and shelter. And over time Alif’s prodigious output is such that her family are no longer able to keep up, they need to employ people, more and more people, to help weave the copious thread into cloth…
After a time Alif’s father began to notice her and wonder at her miraculous skill, the source of his burgeoning wealth and he questioned her. “You spin so much that it seems that you’ve taken a fairy for a sister”.
Alif laughed because she knew there were no fairies in this tale. “it’s from the apple and the little worm inside it” she said, then she showed Haftvad the miraculous worm and explained everything to him.
At this point the story totally changes direction, and Alif simply disappears from the narrative, it truly now becomes the story of Haftvad and the Worm. Because at this moment, Alif’s father – Haftvad – instantly took control of the situation. Haftvad assigned assistants to care for the worm and he used his new found wealth to build a castle keep on the nearby mountaintop for the Worm to live in. And as Haftvad’s wealth grew he assigned courtiers and soldiers to attend the worm and he extended the castle keep into a grand Fort, where the worm was indulged, safe secure and comfortable. The Worm continued to grow. As Haftvad’s wealth grew he incorporated a magnificent citadel around the fort on the mountaintop. And Haftvad assigned Viziers and Generals to serve the giant worm. Although in truth the Generals and Viziers franchised out the day to day care of the worm to some dodgy private security firm. Haftvad realised that his continued wealth was dependant on the whims of the worm and he did all he could to appease it, keep it safe and keep the money rolling in.
And the town prospered, and the women and girls of Karajan were soon able to afford the jewellery and the shoes to make them the very simulacra of princesses.
Alif, of course, kept on spinning, she was the goose that laid the golden egg, endowed with the blessing that turned to a curse. Like Ariadne she had to spin for her life.
And as this is no fairy tale, it is as it always is in real life Haftvad’s conspicuous wealth and power attracted the attention and envy of malcontents, thieves and kings. At first Haftvad easily suppressed these attacks by the grace of the magic worm, and through a combination of largesse, cowardice and the brute force of his seven sons – each of which commanded an army of 10,000 soldiers a piece. Haftvad grew in power.
Alif spun on as was her destiny, the eternal spinster silhouetted, momentarily glimpsed through the dim light of history.
Haftvad’s fortress citadel became so well-known that they say even the winds of heaven didn’t dare blow around it.
Twice King Ardeshir himself rode against Haftvad and twice the King was trounced.
Defeated, the King and his armies returned home. The Worm’s reputation went before him. Skirmishes broke out but as soon as the soldiers heard of the tale of the almighty worm they lost heart and fled. So it was that finally, Ardeshir resorted to underhand methods, he devised a cunning plan to kill the Worm itself and break it’s spell. And so in the end the Worm was brought down through a combination of trickery, flattery and ill-conceived drinking games with the worm’s guards.
As the Citadel trembled and shook from the explosive death throes of the Worm, King Ardeshir pronounced from the ramparts of Haftvad’s vanquished citadel “I fed the worm molten lead; his power is gone.” Hadvad and his sons were executed and their names were erased from history.
High atop a precipitous mountain, somewhere in modern Iran there still stands a glorious citadel built in mud. It has become known to us as Arg-e-Bam – the castle that exploded.
It’s turrets gaze out over the surrounding country, a magnificent mountain castle keep of unparalleled splendour, it is still the world’s largest adobe building, more extensive and breath-taking than the ancient mud ziggurats of Ethiopia.
