It seemed never to be quiet, at that time. We were on the move for sure, from cafe to cafe to bar to hostal to cafe around and around, radios playing loud in every place. Noise and radios, chatter and clatter and noise and songs on the radio. For some reason we had gotten superstitious about Nirvana’s cover of “The Man Who Sold The World”. It was on the radio a lot at that time, and everytime it came on we fell into a weird ritual heralding departure. First we had to listen in silence to the song all the way through. When it was over we would immediately stand and leave. That song was our cue to get back on the move. Once we were back out on the street we were guided by whatever we found out there. Most times we found nothing much and so bought a newspaper and sat in a park. But if we saw a red car we went to the next bar, if we saw a telephone box we had to look for a hostal. If we saw a junkie, we scored, if we saw a copper, we fled the town. And so it was that we found ourselves in Andalucia, by the side of the road, hitching down to Morrocco, we told ourselves. That was the plan, I think.
We got picked up by an inter-continental mega-truck just outside Cordoba, and we pounded the freeway like kings, high in the cab of this mighty ride. The road rose and fell for dozens upon dozens of miles through foothills and moorlands until after a few hours the road reared up and topped out at a roadside bar, and that’s where the trucker left us. Lorry drivers and travellers and holiday makers meandered in the wide carpark. I guess it was some vista viewing point across the mountain range. We sat in the bar drinking tap water until Nirvana’s cover of “The Man Who Sold The World” came on the radio.
That’s how we hooked up with a man in a red Mondeo, shirt sleeves and tie, suit jacket hanging inside the passenger door. He was clearly a business man or travelling salesman, he seemed grateful for our company. In fact he spoke incessantly, speaking over the sound of the car radio, except when a good song came on, then he would listen and do drums on the steering wheel. As I zoned him out, gazing at the grassy hillsides and wild mountains, I wondered what we were doing, where it would end, this compulsive running to the sea. And that is when I first heard Bob Dylan’s “One More Cup of Coffee” on the radio, although it would be many years more before I was able to name it. The road curved down around a peak, sweeping in down flowing loops, the huge rocky scree pebbled slopes of the mountain looming above us as the road bottomed out into the wide green-carpet of river basin. Bob Dylan and EmmyLou Harris sang on “One more cup of coffee for the road, One more cup of coffee before I go, To the valley below”. It was a message, an omen. We were tumbling down into the valley below, we were running free now, onto the sea, and the straits, to Morrocco.
Inevitably, as we approached Malaga Nirvana’s cover of “The Man Who Sold The World” came on the radio. We listened in silence all the way through the song, and then we asked Shirt-Guy to drop us off anywhere here. We landed by the big circular wall of La Malagueta. We watched the red Mondeo weave off into the early evening traffic and superstitiously headed for the next bar.
Recent recording of a piece I first posted a year ago.
Unexpected in October – recorded reprise – Eulogy for Scott
If I can make a landscape for a dream, let it be this place. Some day soon the winter will fall, but this afternoon in this garden the sky is still clear and brazen blue, the wind still rustles in the leaves not yet turned and birds chatter on in deep greenery, insects still flutter in dappled shade. The sun still warms my face, the grass still growing under my feet, a squirrel climbs to the highest waving branches where glossy green ivy leaves entwine, waiting for the year to pass on. I close my eyes, a tranquil moment for the dead and dying, held in trance-like waiting, the sun still calls my eyes to the sky. I don’t want to lose this moment, I don’t want to go indoors, but the chill air rising creeps up my spine, a flying crow caws overhead, the wonder is breaking, broken by a growling jet that cuts the sky in two. Some day soon the winter will fall again, but now, today, this afternoon in this garden, summer still lingers on, and hope is still strong. If I can make a landscape for a dream, let it be this place.
Join us for our launch event tomorrow at The Edge Cafe at 7pm (doors open 6:30pm), where the contributors will be sharing their wild encounters. Entry is free. Copies of Edgewords £5 (all proceeds to The Edge Cafe, for its work supporting people in recovery from addiction).
Saturday 8th December sees the launch of the Edgewords Renewal Anthology.
flyer by Lisa Evans 2018
At The Edge Cafe on Mill Rd.
Doors open at 6.30pm, contributorsreadings start at 7pm. The cafe is open through out the event, selling hot/cold drinks (TIP: Ask Jacob for a Wild Encounter) and cake.
Copies of the chapbook anthology cost £5, proceeds to The Edge Cafe to support their recovery work.
Plus, it’s Simone’s birthday…
Come along and enjoy an evening of creative writing in Cambridge.
The final list of contributors to Edgewords Renewal has been announced on the Edge Cafe website – HERE –
Edgewords Renewal. Illustration by Lisa Evans 2018
Back in June we put the callout for short pieces of less than 300 words or poetry of less than 30 lines for the second chapbook in the Edgewords series. Over the long hot summer the pieces began to come in, at first a trickle, then a deluge, then there came a storm of last-minute applications. We enjoyed receiving the submissions and spent many hours happily drinking coffee and discussing the wonderful writing we were being sent.
In September we closed submissions and got down to the business of sorting and collating them. We finalised our listing last week and are ready to get the chapbook printed.
More than that, we’re looking forward to hearing the pieces read aloud at the Edgewords renewal Chapbook Launch Party at The Edge Cafe on 8th December.
Entry to the launch is free if you reserve and pay for a copy of the chapbook in advance.
The Edgewords Series was initiated by Creative Writing workshops run at the Edge Cafe in partnership with Oblique Arts and Cambridge City Council. You can read our 2017 blog on the Oblique Arts Website Here