Submissions for Edgewords Renewal Anthology

The deadline for Edgewords Renewal Anthology draws closer, next week in fact, so please do get your finger out and send us your wonderful SHORT fictions and poems. There is a word limit of 300 words or 30 lines – details are on the Edge Cafe website – here.

The new anthology is edited by Munizha Ahmad-Cooke, Lisa Evans and Jean Dark. We have had several very wonderful submissions already, and the 19th September deadline is now looming. We are still waiting for you to send us YOUR contribution.

We recently recorded Munizha’s beautiful piece -Ripe – which appeared in the first Edgewords Anthology, you can listen to our reading of it here.  It was recorded a few week ago at Lisa’s, in the home studio she shares with her partner Colin. So many thanks to Colin for making the recording, we had such a lovely afternoon!

Follow this link to send your submissions to us – Edgewords Renewal Anthology

The Edgeworders. by Victor Manuel-Ibanez for Oblique Arts. 2017.

The Edgeworders. by Victor Manuel-Ibanez for Oblique Arts. 2017.

The first Edgewords Anthology was published last year, and came about through a series of Creative Writing workshops during September and October 2017. We were lucky to have the support of Oblique Arts, The Edge Cafe and Cambridge City Council who made the project possible.

Here is a photograph of the writing group by Victor. I think we look like a rock band! In fact, we are pausing during a workshop, at The Mayan Pyramid near Snakey Path on a writing expedition to Cherry Hinton Hall.

 

Edgewords Renewal Anthology Submission Form

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We Wrote, And Wrote, And Wrote

Here, for your pleasure,  is the report I wrote for The Edge Cafe Newsletter April 2018 about the Creative Writing group at The Edge Cafe…

On 12th January this year a thronging crowd gathered at The Edge Café for the combined Launch of Edgewords Anthology and Oblique Arts Exhibition.

Edgewords Launch 12th January 2018 The Edge Cafe cambridge

Edgewords Launch 12th January 2018 The Edge Cafe cambridge

As I stood beside the Community Fridge, I wondered how many more people could comfortably fit into the room. In nervous anticipation I watched, as more chairs were dragged out from the back room to seat the expanding, buzzing audience. Victor, Munizha, Lisa, Faith, Kate and I (The Edgeworders) were waiting to perform from Edgewords Anthology chapbook. Chapbook is a sixteenth century term for an independently printed pamphlet. In making our 2018 chapbook we participated in the whole process of it’s production: from writing content, through editing and collating, proof-reading and printing, to bookbinding paperback and hardback copies, using traditional hand binding methods.

We started writing back in September last year, our Creative Writing sessions ran on Friday afternoons, and we spent two hours a week in word games, outings to Cherry Hinton Hall and a local bookshop. We played with images, rune cards and even a chess board to ignite our imaginations. Our writing was posted weekly on our blog-page (https://oblique-arts.com/tag/creative-writing-workshops/). We chatted, drank tea, laughed and got to know each other, but mostly we took quiet time to explore, follow and write out our thoughts and inspiration, we wrote, and wrote, and wrote.

By November we had gathered enough material to edit our chapbook, which we then proof-read, printed and bound. Later, preparing for the Launch, Edgeworders worked together at solo performance and in devising collaborative group performances.

Edgeworders at The Maya Pyramid at Cherry Hinton - by Victor-Manuel Ibanez

Edgeworders at The Maya Pyramid at Cherry Hinton – by Victor-Manuel Ibanez

The accompanying Art Exhibition, in deep white frames around the walls, encompassed a range of media – photography, painting, sketching, illustration, bookbinding and collage, work from Oblique Arts visual art workshops in December and January.

For me, the Launch was a thoroughly enjoyable success, and a satisfying culmination of working with inspired and inspiring writers. I hope we can secure funding for future creative writing sessions, and produce an Edgewords 2 Anthology.

I am hoping we Edgeworders will meet again soon
for yet more Wild Encounters.see footnote

Thanks to Bev, Sarah and Jannie of Oblique Arts, Andy and The Edge Café staff, Simon and ASH Coop, and to Cambridge City Council. I mostly want to thank Munizha, Lisa, Victor, Faith, Kate, Jane and all who joined us in the Creative Writing workshops, for the enthusiasm and joy they brought to the project.

Footnote: Wild Encounter is a delicious ruby-red fruit tea served at The Edge Café.

Edgewords Launch running order:
Introductions from Beverley Carpenter, Jannie Brightman and Jean Dark.
Performing Haikus Medley – Group Collaboration Performance.
Mill Road Day by Victor-Manuel Ibaῆez.
Speaking of Smoking by Bella Basura.
Recovery Runes by Faith.
Fiction by Munizha Ahmad-Cooke.
BREAK.
Rainy Hearthfire by Jean Dark.
Gaia by Faith.
The Narrow Escape by Victor-Manuel Ibaῆez.
Ripe by Munizha Ahmad-Cooke (performed with Lisa Evans and Jean Dark).
The Cuckoo by Lisa Evans (Group Collaboration Performance)

 

Jean Dark
Spring 2018

Clutches of Love

Spent today working on my next solo chapbook – Clutches of Love – due out early  February…

Here is a Boxing Day taster to whet your appetite.

Lost Again By Dave Challis March 2017

At the looking glass rotunda
In the centre of the city
I swear
I saw you
Sidling sharpish
Invisible-like
Under billows
Of covering smoke
I swear
I saw you
Slipping off sideways
Thin through the mirror’s edge
Disappearing from sight

 

Clutches of Love

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Jean Dark

The Short Answer Chapbook for sale here

Clutches of Love

By Dave Challis March 2017Clutches of Love is a new chapbook of my flash fiction that I am preparing for early next year, I thought I’d give you a taster with this brand new story below

Go Suck Lemons!
You sit there with the spilling pint tippling, dribbling down your trouser leg, and slurring you moan “Oh poor me. My life is so terrible. So traumatic. I’m so destroyed”. I pity you, so say something reassuring, something cheering, a glass half-full in the early afternoon, some everyday shaft of sunlight through the dust in the gloom of an unloved room.
You slam your half-empty beer on the bar and snarl personal insults at me, digging deep for intimate confidences, laying bare my private nightmares to the glare of the public bar, “And you don’t no nuffink” growled. I want to cry, your mates laugh, you plough on with this character assassination monologue.
Until I say “Go suck lemons!” and walk away.
And you shrink back , like a slug from a flame, and slurring you moan “Oh poor me. My life is so terrible. So traumatic. I’m so destroyed”.

Bella Basura December 2017

The Skull Collection

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Psychogeography

Jean Dark

The Short Answer Chapbook for sale here

 

Making it Real

Jean Dark’s new posting from Creative Writing at The Edge blog at Oblique Arts

MAKING IT REAL

What a great feeling to have reached the point in a project when the long nurtured ideas and plans begin to form and take tangible shape in reality.
The progress of the Edgewords Anthology seems to me to be just at that point. The moment when thoughts turn out to be things.

Last Friday we used the workshop to collectively proof read a rough copy of Edgewords Anthology, and at the weekend I reworked the document. I am so grateful to Munizha for working with me to finalise the text.

Proof copy, Edgewords anthology. Bella Basura November 2017.

Proof copy, Edgewords anthology. Bella Basura November 2017.The proof copy is looking pretty tatty, but quite authentic and very real.

This week I’ve been preparing individualised hardback cases for the contributors (Edgeworders) complimentary copies.

Hard back copies, Edgewords Anthology. Bella Basura November 2017.Hard back copies, Edgewords Anthology. Bella Basura November 2017.Next Friday’s workshop will be a bookbinding session, we will sew and bind our own personal copy of the Anthology.

Hard back copies, Edgewords Anthology. Bella Basura November 2017.

Hard back copies, Edgewords Anthology. Bella Basura November 2017.

Today I spent time with my friend, Simon Mullen, at ASH Co-op. We were doing complicated copying things and printing out the content, the innards, the guts of the Edgewords Anthology.

Printing Edgewords, Bella Basura November 2017.It all went remarkably well, Simon and I seemed to get a system going and produced several dozen copies, pronto!

Printing Edgewords, Bella Basura November 2017.

And so an ephemeral idea steps closer to manifesting materially.

Edgewords Anthology is Launched on 12th January 2018 at The Edge Cafe, Cambridge.

Jean Dark 2017

Thanks to Cambridge City Council, The Edge Cafe and Oblique Arts

Dreamflesh revisited

In the 1990s one of my favourite small press publications was the seminal  Unlimited Dream Company series – Towards 2012 – it’s editor – Gyrus – produced a stable of beautifully themed cutting edge factual anthologies at the end of the twentieth century.

In 2006 Gyrus started a new journal – Dreamflesh, which he subtitled “A Journal of  Body, Psyche, Ecological Crisis and Archaeologies of Consciousness”. The list of contributors was an impressive roll call of writers working in marginal spiritual and philosophical paradigm, the whole was a smorgasbord of the strange and the alluring.

Dreamflesh Journal cover art by Amodali

Dreamflesh Journal cover art by Amodali

This month Gyrus has been posting the whole journal online, reprinting the articles and drawing out ideas that have persisted and flourished in the intervening 11 years.

In the web reprise  Gyrus summarises the  project: “Dreamflesh Journal documented an eclectic range of ideas, investigations and experiments informed by this complex ecopsychological framework. Essays, interviews and art ranged over many facets of human and non-human life that seem to be important to this transition: dreams, altered states, visionary media, occultism, sexuality & gender, animism, collective intelligences, psychosomatic healing, bodily symbolism, cognitive linguistics, new materialism, creatively disciplined prehistorical and anthropological studies, images & spirit (iconoclasm, idolatry, anthropomorphism, fetishism), death & dying, depth psychology, ecology… to name a few.”

Back in 2005, when I first heard that Gyrus was planning to edit a new journal I wrote a piece specially, my concern was female facial and body hair and I enjoyed myself writing a selected history of hirsute women. Then I sent in off to Gyrus.

A few months later  I heard it had been accepted. I was delighted to have my piece included in Dreamflesh, it  gave me the biggest readership I had ever had, I felt like I’d arrived, more than this, I felt I’d  been accepted into a publication so inspiring that it left me in awe. And the Journal was certainly well-received, The Guardian called it “a bastion of the esoteric”, and not long after the Journal was released it was reviewed in Fortean Times “There is a dimension way, way out where flesh and dream coalesce, explored by people with names such as Orryelle Defenstrate-Bascule, Gyrus, Bella Basura, Pablo Amaringo and Lars Holger Holm, not to mention the formidible Dave Lee”. And that wasn’t all, wonderfully, Genesis Breyer P-Orridge, the transgender founder of Throbbing Gristle and Psychic TV, wrote of Dreamflesh “I felt EXCITED as I read. No mean feat. I truly was inspired”.

In the original introduction to the Journal Gyrus evaluated the role of traditional publishing in an increasingly digitized world, “The existence of the web can goad us into a sharper awareness of how print media impact the environment, in turn encouraging us all — in both writing and reading — to try to make every piece of paper and every drop of ink count. ”

 

Links

Strawberry fair Armpit Hair

Dreamflesh

 

 

 

 

The Short Answer Chapbook – OUT NOW!

Buy in person at  live performances or via mail order from Esoterranean Books shop

The Short Answer

an anthology of flash fiction by Bella Basura

Kali by Tim Neate

Kali
by Tim Neate

from the Introduction
“In the 1990s I spent a year grubbing around Holland and Spain on a DSS Enterprise Allowance Scheme as a self-employed author and poet. I spent the decade devouring magazines, journals and chapbooks by the small presses that were so active and plentiful back then. I particularly loved anything by Tom Vague, HeadPress,  HEAD magazine, Rapid Eye and Unlimited Dream Company. In those days there were bookshops too, Compendium in Camden and The Inner Bookshop in Oxford and London’s Atlantis. I even devoted a lot of time and energy to producing pamphlets of my own, which were an irregular source of beer money. I tried to persuade others to print my writings. Eventually I studied bookbinding to enable myself to print, bind and distribute my pamphlets and chapbooks…And then everything went online…

So, now after a gap of almost ten years here is a new chapbook of my writings – this new pamphlet has come about as a result of performing my writing at spoken word events and I need some merchandise to flog to cover travelling expenses. All of the pieces in this collection are 100 word flash fictions – a genre I specialise in. So, I hope you will put your hands deep into your pockets and buy my new chapbook, and also come to see me perform. You won’t regret it!”

Contains a dozen 100 word flash fictions

the-short-answer-etsy-1

Esoterranean Books

24 pages, hand-bound with hand-tinted cover.
Image by Tim Neate.
Buy in person – £5 – at one of my upcoming live performances
or via mail order – £5 + £2 p+p – from my Etsy shop

“The Short Answer” print chapbook – coming soon

Turn The Page
By Bella Basura

Golden Vagueness - Bella Basura 2016

Golden Vagueness
Bella Basura 2016

Unspeakable beauty, like the floating harmonic deep in keening tinnitus. Words break free, and my sentence struggles away from me, my grasp slipping a grip, like a  hand slipping  a glove. She tears from my skin and flies. Ricocheting my awareness of “I” into a bounding and rebounding silence. A silent creeping vibration, like the tap-tap tapping of a solitary black widow on her dew-luminous web, alone at night. A fly has slipped it’s shackles and fled. A silent creeping vibration of voidness, null, empty and zero.
The one that got away.

Re-posted January 2017

More Flash Fiction – The Short Answer a collection of short stories in 100 words.

Soon to be available in chapbook print version.
email:witchysticler@gmail.com for more details.

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