Submissions for Edgewords Renewal Anthology

The deadline for Edgewords Renewal Anthology draws closer, next week in fact, so please do get your finger out and send us your wonderful SHORT fictions and poems. There is a word limit of 300 words or 30 lines – details are on the Edge Cafe website – here.

The new anthology is edited by Munizha Ahmad-Cooke, Lisa Evans and Jean Dark. We have had several very wonderful submissions already, and the 19th September deadline is now looming. We are still waiting for you to send us YOUR contribution.

We recently recorded Munizha’s beautiful piece -Ripe – which appeared in the first Edgewords Anthology, you can listen to our reading of it here.  It was recorded a few week ago at Lisa’s, in the home studio she shares with her partner Colin. So many thanks to Colin for making the recording, we had such a lovely afternoon!

Follow this link to send your submissions to us – Edgewords Renewal Anthology

The Edgeworders. by Victor Manuel-Ibanez for Oblique Arts. 2017.

The Edgeworders. by Victor Manuel-Ibanez for Oblique Arts. 2017.

The first Edgewords Anthology was published last year, and came about through a series of Creative Writing workshops during September and October 2017. We were lucky to have the support of Oblique Arts, The Edge Cafe and Cambridge City Council who made the project possible.

Here is a photograph of the writing group by Victor. I think we look like a rock band! In fact, we are pausing during a workshop, at The Mayan Pyramid near Snakey Path on a writing expedition to Cherry Hinton Hall.

 

Edgewords Renewal Anthology Submission Form

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Clutches of Love Online

A few weeks ago I posted up the Clutches of Love chapbook, including the wonderful introduction written for me by the inspiring psychedelic poet – Katya Lubarr. A few days later Katya emailed me asking me where the pieces were, the links didn’t work, she couldn’t find the pieces…I had a look and she was right.By Dave Challis March 2017

But  I was in the middle of National Poetry Writing Month, I was overwhelmed with rhyme and rhythm and iambic pentameters and dactylic feet, and worrying whether my sonnet was Shakespearean or Petarchan…the rigours of re-editing the blog-posting seemed beyond my grasp.

But that’s all over now, so finally, I have managed to make all the links work, so that the whole chapbook can be read online – here Clutches of Love

ENJOY!

 

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The Short Answer  and Clutches of Love chapbooks on sale here

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We Wrote, And Wrote, And Wrote

Here, for your pleasure,  is the report I wrote for The Edge Cafe Newsletter April 2018 about the Creative Writing group at The Edge Cafe…

On 12th January this year a thronging crowd gathered at The Edge Café for the combined Launch of Edgewords Anthology and Oblique Arts Exhibition.

Edgewords Launch 12th January 2018 The Edge Cafe cambridge

Edgewords Launch 12th January 2018 The Edge Cafe cambridge

As I stood beside the Community Fridge, I wondered how many more people could comfortably fit into the room. In nervous anticipation I watched, as more chairs were dragged out from the back room to seat the expanding, buzzing audience. Victor, Munizha, Lisa, Faith, Kate and I (The Edgeworders) were waiting to perform from Edgewords Anthology chapbook. Chapbook is a sixteenth century term for an independently printed pamphlet. In making our 2018 chapbook we participated in the whole process of it’s production: from writing content, through editing and collating, proof-reading and printing, to bookbinding paperback and hardback copies, using traditional hand binding methods.

We started writing back in September last year, our Creative Writing sessions ran on Friday afternoons, and we spent two hours a week in word games, outings to Cherry Hinton Hall and a local bookshop. We played with images, rune cards and even a chess board to ignite our imaginations. Our writing was posted weekly on our blog-page (https://oblique-arts.com/tag/creative-writing-workshops/). We chatted, drank tea, laughed and got to know each other, but mostly we took quiet time to explore, follow and write out our thoughts and inspiration, we wrote, and wrote, and wrote.

By November we had gathered enough material to edit our chapbook, which we then proof-read, printed and bound. Later, preparing for the Launch, Edgeworders worked together at solo performance and in devising collaborative group performances.

Edgeworders at The Maya Pyramid at Cherry Hinton - by Victor-Manuel Ibanez

Edgeworders at The Maya Pyramid at Cherry Hinton – by Victor-Manuel Ibanez

The accompanying Art Exhibition, in deep white frames around the walls, encompassed a range of media – photography, painting, sketching, illustration, bookbinding and collage, work from Oblique Arts visual art workshops in December and January.

For me, the Launch was a thoroughly enjoyable success, and a satisfying culmination of working with inspired and inspiring writers. I hope we can secure funding for future creative writing sessions, and produce an Edgewords 2 Anthology.

I am hoping we Edgeworders will meet again soon
for yet more Wild Encounters.see footnote

Thanks to Bev, Sarah and Jannie of Oblique Arts, Andy and The Edge Café staff, Simon and ASH Coop, and to Cambridge City Council. I mostly want to thank Munizha, Lisa, Victor, Faith, Kate, Jane and all who joined us in the Creative Writing workshops, for the enthusiasm and joy they brought to the project.

Footnote: Wild Encounter is a delicious ruby-red fruit tea served at The Edge Café.

Edgewords Launch running order:
Introductions from Beverley Carpenter, Jannie Brightman and Jean Dark.
Performing Haikus Medley – Group Collaboration Performance.
Mill Road Day by Victor-Manuel Ibaῆez.
Speaking of Smoking by Bella Basura.
Recovery Runes by Faith.
Fiction by Munizha Ahmad-Cooke.
BREAK.
Rainy Hearthfire by Jean Dark.
Gaia by Faith.
The Narrow Escape by Victor-Manuel Ibaῆez.
Ripe by Munizha Ahmad-Cooke (performed with Lisa Evans and Jean Dark).
The Cuckoo by Lisa Evans (Group Collaboration Performance)

 

Jean Dark
Spring 2018

Clutches of Love

Day 10 of NaPoWriMo

Darling, When I think Of You

Salome
by Pierre et Gilles
Augmented photograph. 1991

Darling, when I think of you…
My skin tingles, hairs rise.
In my dry gummy mouth
I taste a metallic
Taint of terror.
In my mind
I see a red-flare distress beacon
Bloom glaring
In the empty dark sea night sky.
I hear klaxons ringing out
Harmonics of horror.
I smell the sweat of my own fear.
Darling, in truth,
I try not to think of you…
Too often.

 

 

Today I am posting up a poem from my new chapbook – Clutches of Love. I was lucky enough to have Katya Lubarr of the Cat Basket write the introduction, which I was very pleased with. We are hoping to collaborate on a similar chapbook anthology in time for Valetines Day 2019 and we’ll soon be putting a call out for contributions.

But, finally this chapbook of Clutches of Love is finished, and is available to buy print-on-demand from my Esoterranean Books store on Etsy, the chapbook is priced at £5.

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Clutches of Love

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Clutches of Love

Spent today working on my next solo chapbook – Clutches of Love – due out early  February…

Here is a Boxing Day taster to whet your appetite.

Lost Again By Dave Challis March 2017

At the looking glass rotunda
In the centre of the city
I swear
I saw you
Sidling sharpish
Invisible-like
Under billows
Of covering smoke
I swear
I saw you
Slipping off sideways
Thin through the mirror’s edge
Disappearing from sight

 

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Dream Theme

A new ocassional Flash Fiction Series from Bella Basura

Dream Theme One

Weird Winter Wishes
Photo: Phil MFU
Cambridge 2012

In my dream about Thurston Moore it was night, I was up by the Co-op  convenience store roundabout and all around there was this strange snow piled everywhere, like great banks of crunchy white snow – it was like some scene from a movie.
So I took my coat off, laid it down and began sledding through tunnels in the snow on my coat. Suddenly Thurston Moore was beside me and we were streaming through these glistening snow tunnels on my coat, laughing, O we were laughing, really laughing.
Eventually as we’re approaching the telephone box at the end of my street we began to slow. And there are smears of brown on the pristine snow. I look down and it is dog shit and my coat sleeve is dragging in dog shit and Thurston Moore disappears.
And I have to walk home alone in a blizzard in my torn and dog shitted coat.

Bella Basura
April 2017

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The Short Answer Chapbook for sale here