Tales From The Laboratorium

I originally posted this back in May last year – it was intended as the first in a blog-series of Gordon Tripp’s memories. Unfortunately my imagination was arrested in this pilot episode…

Meanwhile…
Voice over: What IS Doctor Gordon doing? Why, he’s dawdling and meandering through                        the Bella Basura back catalogue…

Cue:  scary, slow, plinky-plink avant-garde 1970s electronic music

A title sequence of still images: zooming out from blurred meaningless close ups in b/w                                      that take the form of simulacra – a man eating a magic mushroom, a                                 terrapin, a needle and a  spoon, the Willendorf Venus, an inverted                                        pentagram, the great pyramid of Giza, other stupid things –                                                    meaningless.  A skull.

Titles: lurch out over the images in bold Baskerville typeface

Tales From the Laboratorium
Narrated by Doctor Gordon Tripp

Final image : The Doc sitting in a winged red comfy chair in his Laboratorium smoking a                     roll up, candle-lit, of course.

Doc: The BBC have banished me  to the bowels of Bella Basura’s archive. To find examples of her oeuvre, to find the treasure buried beneath the shit, the diamonds in the dung-heap. Indeed I have been commissioned to curate the befuddled maunderings  of the hebephrenic poet-thing called Bella Basura into a coherent structured TV mini-series.

Cue: a few bars of Doc Gordon’s theme tune – Terrapin – Syd Barrett .

Doc: Enigmatically, to  say La Basura, as she became known in later days, was an enigma, is an enigma, in and of itself. Thus I shall refrain from further myth-creation and tell it like it was, and go straight for the jugular. I first encountered Bella Basura (banshee howl) whilst she was a participant on a government sponsored Enterprise Allowance Scheme that meant her dole money was paid directly into a government sponsored bank account while she pursued the tremulous task of being a free-lance writer. Basura (banshee howl) used the money – £36  a week at the time – to bum around Amsterdam inventing characters for an imaginary novel. She did this solidly for a year, the whole duration of the scheme, and that was the year we met. It was the early 1990s and although it now sounds glamorous and implausible , it was universally perceived at the time as a government policy to massage the unemployment figures and also as a convenient loophole for creative slacker-types. Bella (banshee howl) didn’t mind. In fact, she still uses her year as “a freelance author in Holland” on her CV, obviously it looks better than “on benefits”
(clap of thunder).
Clearly, I digress (sputtering).
(Sputtering ) (Again).

About a year after I met Basura (banshee howl), that is 6 months after the end of her Enterprise Allowance , she turned up unannounced and needy at my Laboratorium in Camberwell, South London. Broken and dishevelled as ever, it was obvious that she was back on the dole, and to no beneficial end.  She burbled at length at me and eventually left suddenly, enstupored and intoxicated in some indeterminate manner, she left incoherently stumbling, spewing A4 pages. As she stumbled she knocked against the kitchen table and sent a thick purple crayon careening to the floor where she insensately ground it into the kitchen lino with her great wasted hobnail boot. This created a weirdly tentacled stain that I have never been able to erase, to this very day, no matter what products are used.

For over a decade in the slow-burning bile of resentment and envy, that I naturally excel in, I pointedly reminded Bella (banshee howl) of the incurable stain every time she visited me . Thus does a Scorpio deal with a Leo. Or (symbol for scorpio) square (symbol for leo), for those with astrological leanings.
(a clap of thunder)
Clearly, I digress.

The horrors  which Basura (banshee howl) barely speaks of in this piece are almost beyond words. Unspeakable to some. And yet Basura (banshee howl) is a poet and words are her craft, her tools in trade, the building blocks of her very brain. So mouth the words she must, in essence she told me she had encountered a ghost of the future, a future-shadow. A premonition no less that had begun to imbed its tentacles deep into poor Bella’s (banshee howl) fragile mind, she began writing ceaselessly and frantically.

In actuality, there was much rumour back in those far-flung days of the coming to our shores of a dark new American-style benefit system called “work-fare” and it would force claimants into unpaid jobs in supermarkets in order to  deserve or  ‘earn’ their dole-money. Myself I thought it an urban myth, but I was wrong. It was nothing less than a precursor, a progenitor and the true birth-mother to the terrors of “Work Programme”, under whose draconian tyrannies we now toil.

The following piece  is one of Bella Basura’s earliest expositions of this dreadful prediction …The GodSeeker’s Allowance…

Fade to black

100 word fiction

Skull Girl Grimace Photo by Bella Basura 2015

Skull Girl Grimace
Photo by Bella Basura 2015

Ennui
By Bella Basura

I passively follow Qwerta to the beach, golden sand tumbles onward in rolling dunes, down to the sea. Momentarily I glimpse a vista of the deep oceanic horizon, blue with distance, then we dip down into a hollow, a machete is thrust into the sand.

Qwerta grasps the machete, but it stays fast, Excalibur in stone. She tugs, tugs, her maximised stealth leeching into the landscape. Sudden Manga wingedsnakebat creatures attack her kneecaps. She soaks the sand, beating out her life in numerical units. FAIL in red. Disappeared.

I pick up the machete and mouse-click back to the encampment.

Flash Fiction Anthology
Image Gallery

 

 

The Short Answer

Further Flash Fiction by Bella Basura
from the proposed Anthology – The Short Answer – short stories of 100 words in length.

Auntie Shocked Sees The Light Photo by Bella Basura 2013 Still from "Abandoned Video" With Phil MFU

Auntie Shocked Sees The Light
Photo by Bella Basura 2013
Still from “Abandoned Video” With Phil MFU

Precog Moment

Shaking firm hands with poker-faced thank-you-for-your-time, I close the door behind me.

Standing waiting for the lift down, I depressingly relive the interview.

I see myself lurching, a raddled old maid in rouge and blotchy mascara, wearing a charity-shop power-suit, manoeuvring square shoulder pads into a diminishing round hole. I trail mendacity and inappropriate extended metaphors across the interview room carpet. Bluff and fluff falling away.  The interviewers look at me, disappointed in their expectations, they recoil, their faces cave in and close.

Instantly, I know it’s over, even before I mention my criminal record and false identities on Facebook.

More Flash Fiction
More Images

Fiction Flash No.2

Weird Winter Wishes Photo: Phil MFU Cambridge 2012

Weird Winter Wishes
Photo: Phil MFU
Cambridge 2012

Calm Time Charmed
by Bella Basura

It seems I have been here a year, living in this charmed place, a sleepy little bower in the bosom of paradise.

Here, time moves so slowly that it feels never-ending. There, out in the real, grey world time turns gyrations, so that at the intake of a breath galaxies burst into being, only to recede into cosmic void at the beat of the outbreath.

So that by the time I make up my mind to return,
hundreds of thousands of years have passed, and I suspect,
everybody has evolved into a future-race of super-bellicose giant killer-crabs,
walking sideways, angrily.

More Flash Fiction

More Images

New Flash Fiction

 

A Year In The Murder Flat - Bella Basura 2011

A Year In The Murder Flat – Bella Basura 2011

Living at Death’s Door
By Bella Basura

At first the landlord didn’t tell us about the murder,
we found out after the lease was signed,
we’d already moved in.

In the end, I read it in the local newspaper,
she’d lived in the flat across the landing,
her husband stabbed her in a frenzy,
she escaped him but died in the stairwell.
I carried the constant knowledge that the woman  had bled out on my doorstep.

The morning of the murder, he told me later,
the landlord had hidden in the bathroom.
The woman had died screaming and banging on a door nobody dared answer for fear.

Other Sculptures

Other Flash Fiction

About: Bella Basura

You're Funny, Skull Girl Bella Basura 2015

You’re Funny, Skull Girl
Bella Basura 2015

An occasional blog on the subject of Me Me Me,
and the fabulous things I do,
an archive of most of my writing, some of it dating back to 1994,
links to the complete text of my first unpublished novel
The slow-burning Grandmother Punk short story anthology
bearer of Granny Takes a trip
short listed for the Soundwork 2015 Monologue Award,
some stalled psychogeography
and my gallery …

And other stuff

Granny gets Shortlisted!

Liminal Phases flyer.JPG

Back in February I took part in Liminal Phases, a Temporary Temple Productions spoken word performance event with Jonny Marvel, Shakeynavelbones and Faradina Affifi  at CB1 cyber café in Cambridge. One of my pieces, Granny Takes a Trip – billed as a psychedelic puppet show, was  entered for the Soundwork 2015 monologue competition in September  and although it didn’t come first Granny was shortlisted. See here. The winning entry was recorded by Soundwork  so I’m pretty sad that I didn’t win. I guess I’ll need to find another  way, maybe recording the piece myself. Any ideas?

HOME TOWN

Home Town

Visit my Gallery

I’m re-posting this detournment because a friend recently introduced to friend who used to live in my home town, listening to him, it struck me how negative my view of the old place was. Maybe that’s because I went to school there and he chose to move to the town as a young adult. He spoke of a scene and good times, but I mainly remember always being in a rush to catch a train out of there.

NOTE
Over the next few weeks I intend doing maintenance on my site – mending broken links and re-jigging the archive – so please bear with me if it all goes to shit and falls off the internet. It is temporary. I will be back.

Rainy Hearthfire

My face is tingling in the dark, burning in the glow of the campfire. Everybody is gathering  beside the fire, with chairs or on blankets. We draw in close, into a warm unbroken circle. Faces catch shadows in the firelight, some gaze into the fire, joyful voices ring close in the air.
Updraughts whip the fire’s flames into glittering orange cinders that spiral out into the deep night air, our wishes and dreams and petitions waft up in sparkling clouds, fading off in the height of the near-dark sky.
The night stays in my memory, I remember the misty rain that sprinkled around us. My head and back, places untouched by the drying fire’s heat, are drenched in the light summer-rain. Around me sit friends, with drums and guitars, flutes and voice. People dance a circle dance, close to the fire, edging and following the glowing circle of firelight. Somebody close by is playing a Hurdy Gurdy, It’s steady rhythmic drones build a deep, earthy resonance around which percussion, pipes and chants weave, flow, wax and wane. We are a circle within a circle with no beginning and never-ending, the chant hangs, spinning gently in my memory.
The memory now is so faded that I don’t recall who I was with, who sat beside me, who opposite. Mainly, I remember is the roaring fire, music, dancing, chanting, the heat and the rain. That we were there together, celebrating  harvest in the ancient act of community. We are the old people, we are the new people, we are the same people, stronger than before.

By Jean Dark 2013
Printed in Earth Pathways Diary 28th September 2015

Newest addition to The Skull Collection

Small Dancing Skeleton

Earlier this week I spent the day with Gary, an old friend and travelling companion.

He gave me what he described as “A dancing skeleton“, a 9cm plastic jointed marionette that was part of a Day of The Dead hoard we’d collected while in Mexico City and Oaxaca State in October and November 1993.

Jointed plastic marionette. height 9 cm. Collected by G. Ruddick Mexico 1993. Donated 2015.

Jointed plastic marionette. height 9 cm. Collected by G. Ruddick Mexico 1993. Donated 2015.

Gary recalled the guy who sold it to us making a line of the little fellas leap and dance, but…more…