Dreamflesh revisited

In the 1990s one of my favourite small press publications was the seminal  Unlimited Dream Company series – Towards 2012 – it’s editor – Gyrus – produced a stable of beautifully themed cutting edge factual anthologies at the end of the twentieth century.

In 2006 Gyrus started a new journal – Dreamflesh, which he subtitled “A Journal of  Body, Psyche, Ecological Crisis and Archaeologies of Consciousness”. The list of contributors was an impressive roll call of writers working in marginal spiritual and philosophical paradigm, the whole was a smorgasbord of the strange and the alluring.

Dreamflesh Journal cover art by Amodali

Dreamflesh Journal cover art by Amodali

This month Gyrus has been posting the whole journal online, reprinting the articles and drawing out ideas that have persisted and flourished in the intervening 11 years.

In the web reprise  Gyrus summarises the  project: “Dreamflesh Journal documented an eclectic range of ideas, investigations and experiments informed by this complex ecopsychological framework. Essays, interviews and art ranged over many facets of human and non-human life that seem to be important to this transition: dreams, altered states, visionary media, occultism, sexuality & gender, animism, collective intelligences, psychosomatic healing, bodily symbolism, cognitive linguistics, new materialism, creatively disciplined prehistorical and anthropological studies, images & spirit (iconoclasm, idolatry, anthropomorphism, fetishism), death & dying, depth psychology, ecology… to name a few.”

Back in 2005, when I first heard that Gyrus was planning to edit a new journal I wrote a piece specially, my concern was female facial and body hair and I enjoyed myself writing a selected history of hirsute women. Then I sent in off to Gyrus.

A few months later  I heard it had been accepted. I was delighted to have my piece included in Dreamflesh, it  gave me the biggest readership I had ever had, I felt like I’d arrived, more than this, I felt I’d  been accepted into a publication so inspiring that it left me in awe. And the Journal was certainly well-received, The Guardian called it “a bastion of the esoteric”, and not long after the Journal was released it was reviewed in Fortean Times “There is a dimension way, way out where flesh and dream coalesce, explored by people with names such as Orryelle Defenstrate-Bascule, Gyrus, Bella Basura, Pablo Amaringo and Lars Holger Holm, not to mention the formidible Dave Lee”. And that wasn’t all, wonderfully, Genesis Breyer P-Orridge, the transgender founder of Throbbing Gristle and Psychic TV, wrote of Dreamflesh “I felt EXCITED as I read. No mean feat. I truly was inspired”.

In the original introduction to the Journal Gyrus evaluated the role of traditional publishing in an increasingly digitized world, “The existence of the web can goad us into a sharper awareness of how print media impact the environment, in turn encouraging us all — in both writing and reading — to try to make every piece of paper and every drop of ink count. ”

 

Links

Strawberry fair Armpit Hair

Dreamflesh

 

 

 

 

About: Bella Basura

You're Funny, Skull Girl Bella Basura 2015

You’re Funny, Skull Girl
Bella Basura 2015

An occasional blog on the subject of Me Me Me,
and the fabulous things I do,
an archive of most of my writing, some of it dating back to 1994,
links to the complete text of my first unpublished novel
The slow-burning Grandmother Punk short story anthology
bearer of Granny Takes a trip
short listed for the Soundwork 2015 Monologue Award,
some stalled psychogeography
and my gallery …

And other stuff

Strawberry Fair Armpit Hair

…Similarly, the radical lesbian photographer, Della Grace, championed this theatrical masculine posturing during the drag-king craze of the early 1990’s. If I remember aright, drag-kings were gangs of beautiful light-hearted lesbian women who invaded clubs dressed in mens suits. They greased back their hair, stuffed paunches under their shirts, packed dildos in their pants & faked or grew facial hair. They were playing with notions of gender identity, & having a laugh. Della Grace immersed herself in this scene & photographed it from within. When asked how she came to grow a moustache herself, she replied that she just stopped plucking it….READ MORE